Te Kokomea

from NZ$0.00

Te Kokomea, seeks to explore the relationship between the paeātea and paewhenua and its complex, generative, diverse and active entanglements that both dissect and interconnect within the two planes. 

An acknowledgement of taonga tuku iho shared within the Tai o Hī Tai o Hā wānanga and the respective mātanga. Te Kokomea can be considered as a whakatauāki - recalling the significance of taiao in understanding ancestral connections to materials, techniques and knowledge that form these living and enduring traditions. 

ARTIST: Rongomai Grbic-Hoskins
TE KOKOMEA 1: 470 x 340 mm - Digital Illustration Print on Hanhemühle Photo Rag
TE KOKOMEA 2 (CENTRE PIECE): Aute, Muka - NFS
TE KOKOMEA 3: 470 x 340 mm - Digital Illustration Print on Hanhemühle Photo Rag

To purchase Kokomea 1 & 3 please select from the dropdown menu.

Pieces:

Te Kokomea, seeks to explore the relationship between the paeātea and paewhenua and its complex, generative, diverse and active entanglements that both dissect and interconnect within the two planes. 

An acknowledgement of taonga tuku iho shared within the Tai o Hī Tai o Hā wānanga and the respective mātanga. Te Kokomea can be considered as a whakatauāki - recalling the significance of taiao in understanding ancestral connections to materials, techniques and knowledge that form these living and enduring traditions. 

ARTIST: Rongomai Grbic-Hoskins
TE KOKOMEA 1: 470 x 340 mm - Digital Illustration Print on Hanhemühle Photo Rag
TE KOKOMEA 2 (CENTRE PIECE): Aute, Muka - NFS
TE KOKOMEA 3: 470 x 340 mm - Digital Illustration Print on Hanhemühle Photo Rag

To purchase Kokomea 1 & 3 please select from the dropdown menu.

Rongomai Grbic-Hoskins
(Ngāti Hau, Ngāti Hao, Ngāti Pakahi, Ngāti Moroki, Ngāpuhi, Te Rarawa)

Rongomai is a multi-disciplinary artist who works across visual arts, photography and illustration - both digital and analogue. Her interest in the creative arts was cultivated through her upbringing and continued at university with a Bachelor’s in Communication Design.

Since then, she’s been focused on Māori centred curatorial and research practices in the world of museums and galleries.

 

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